The music at the debut show on Oct 23 included numbers from Hindi films, well known classical symphonies and themes from the cinema of Hollywood. Holding it all together was Rahman, who gave even existing pieces a characteristic new twist, adding piquancy and surprise to each number. Sitars strummed their sweet music along with Middle eastern instruments as well as those used in classical western orchestras. Some trained, others self-taught, they made music that cheered the heart. Rahman, the all-woman orchestra, with Yasmina Sabbah as its conductor, is made up of women of 23 nationalities, ranging in ages from 51 to 16. Spearheaded by Her Excellency Reem Al Hashimy, UAE Minister of State for International Cooperation and Director General, Expo 2020 Dubai and our own globally famous Indian composer A.R. Fifty musicians from across the Arab world form the group, and the music they play was showcased at the Dubai Expo to mark the International Day for Tolerance on November 16, and Children’s Day besides others. It’s called Firdaus, and it celebrates unity in diversity. Watch this space for the new schedule of shows of ‘Miracle on Matunga Street’. But it was the mute shrine of Vellenkani Amma that revealed the biggest secret of them all.Īll told, a rollicking good way to spend two hours, and receive a lesson in peaceful co-existence and the equality of all human beings. Prakriti Bhaargava as the social media active elder daughter was a competent foil.Įveryone had a secret, and as each secret came tumbling out, there was room for shock, tears and laughter. Ila Arun with mannerisms echoing those of elderly relatives you see in traditional families where values are held tight in a strait jacket, stole the show, but both Rajshri Ponappa, better known as the Face of Zee Kannada and Rituraj Shinde held their own, with very convincing performances. If the first half dragged a bit, while the ‘meeting’ planned by the younger daughter Anisha, never seemed to be able to take off, the sharp turn the play took seconds before the interval, ensured the audience came right back in.Īfter that it was happy mayhem, with the idol of Vellenkani in their family shrine acquiring its own place in the drama that ensued.ĭespite it being early days of performance, every one of the actors rang true.
1 on Eurochart Hot 100 Singles, while the U2 album is spending a second week atop European Top 100 Albums.From the Magazine Poverty Porn: Making Heroes Out Of People Just Struggling To Survive Poverty In Bihar: Government Numbers Hide Real Story How Caste Equations Continue To Shape Bihar’s Economic Fortunes A Trafficked Woman, A Young Hotel Cleaner: Poverty’s Children Of Kishanganj Street Diary | A Rickshaw-puller’s Take On Life And Lockdownīrisk dialogue, accents that clashed and matched naturally, and the very distinct personalities of the foursome made for immersive viewing. “Poker Face” (Interscope/Universal) is in a fourth week at No.
14 and the “Slumdog Millionaire” soundtrack single “Jai Ho (You Are My Destiny)” (Interscope/Universal) by A.R.Rahman featuring Pussycat Dolls at No. 11, the Pet Shop Boys’ “Love Etc” (Parlophone/EMI) at No. New in the top 20 were British duo La Roux with “In For The Kill” (Polydor/Universal) at No. featuring Justin Timberlake reversed last week’s 6-7 fall, “Beautiful” (Universal) by Akon featuring Kardinal Offishall and Colby O’Donis climbed 9-8 and Beyoncé’s “Halo” (Columbia/Sony BMG) 20-9.
“Dead & Gone” (Atlantic/Warner Music) by T.I.
BEAUTIFUL AKON AR RAHMAN TV
2 as last week’s bestseller, the Comic Relief version of “Islands In The Stream” (Mercury) by TV characters Vanessa Jenkins and Bryn West, fell to No. 1 with “Right Round” (Atlantic/Warner Music), but GaGa rallied later in the week to climb 4-1. Midweek sales data had Flo Rida heading back to No. The singles chart, meanwhile, saw Lady GaGa’s “Poker Face” (Interscope/Universal) come from behind to claim the crown for the first time. Peter Doherty’s solo set “Grace/Wastelands” (Parlophone/EMI) opened at No. Meanwhile a “Definitive Collection” by Richie and the Commodores, on Motown/UMTV, raced 36-14. Bette Midler’s “The Best Bette” (Rhino/Warner Music) jumped 21-9 in its 26th chart week, while Lionel Richie’s “Just Go” (Mercury/Universal) debuted at No.
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