Executive Producers: Kevin Augunas, Neil Schield, Jesse Obstbaum. But that wasn’t the case Shop 75 records for sale for album Symphony no 35 by Mozart on CDandLP in Vinyl and CD format The Silly Symphony Collection is a first-of-its-kind box set from Walt Disney Records and Fairfax Classics featuring the complete restored soundtracks from all 75 Silly Symphony shorts from 1929-1939, with over 8 hours of music spread over 16 vinyl LPs. 86 Vocal Melody accompanied by two lower parts Syncopationġ5 Listening Agnus Dei from Notre Dame Mass by Guillaume de Machautīasic Set, CD 1:73 Brief Set, CD 1:53 Vocal Music Guide: p.Old symphony records 5 (Old No. (Since I am forgotten by you around 1363) by Guillaume de Machaut Basic Set: CD 1: 72, Brief Set: 1:52 Vocal Music Guide: p. 85 Syncopation Ballataġ4 Listening Puis qu’en oubli sui de vous Secular music more important than sacred Changes in musical style – known as new art ars nova (Latin) New music notation system evolved Beats could be subdivided into 2 as well as 3 Syncopation became important rhythmic practiceġ3 Listening Ecco la primavera (Spring has come Fourteenth Century)īy Francesco Landini Basic Set, CD 1:69 Vocal Music Guide: p.
5 - Fourteenth-Century Music: The “New Art” in Italy and France 4 – The Development of Polyphony: Organumīetween a 2nd melody line added to chant Additional part initially improvised, not written Paralleled chant line at a different pitch added line grew more independent Developed its own melodic curve (no longer parallel) c note-against-note motion abandoned 2 lines w/ individual rhythmic and melodic content New part, in top voice, moved faster than the chant line School of Notre Dame (Paris): Measured Rhythm Leonin & Perotin developed notation of precise rhythms Chant notation had only indicated pitch Medieval theorists considered interval of 3rd as dissonant Modern chords built of 3rds, considered consonantġ1 Listening Alleluia: Nativitas (The Birth 1200?) by PerotinĬD 1: 68 Organum in three voices Cantus firmus Note: clearly defined meterġ2 Ch. Single melody line is notated Performers improvised instrumental accompaniment Basic Set, CD 1:67 Brief Set, CD 1:51ġ0 Ch. 3 – Secular Music in the Middle AgesĬomposed by French nobles who were poet-musicians Troubadours (southern France) Trouvères (northern France) Performed by jongleurs (traveling minstrels) Song topics: love, Crusades, dancing, spinning songs Instrumental dancesĩ Listening - Estampie Medieval dance music Strong beat (for dancing) 79 Basic Set, CD 1:66 Brief Set, CD 1:50 Chant Originally written without accompaniment This recording includes a drone-long, sustained notes Note extended range of melody Written for nuns by a nun (sung in a convent)Ĩ Ch. Hildegard of Bingen Vocal Music Guide: p. 76 Basic Set, CD 1:63 Brief Set, CD 1:47 Gregorian Chant Monophonic texture Ternary form: A B Aħ Listening O successores (You successors) Chant (We Have Seen His Star) Vocal Music Guide: p.
Official music of the Roman Catholic church No longer common since 2nd Vatican Council ( ) Represents the voice of the church rather than an individual Monophonic melody set to Latin text Melodies tend to move by steps in a narrow range Flexible rhythm - without meter and sense of beat Named for Pope Gregory I (r ) Later the melodies were notated Notation developed over several centuries The Church Modes Basic scales made of different whole & half-step patternsĦ Listening Alleluia: Vidimus stellam Gregorian Chant Monophonic texture 700 First Crusade-1066 Black Death- Chaucer, The Canterbury Tales – Joan of Arc executed by English-1431ģ The Middle Ages A thousand years of European historyĮarly - a time of migrations, upheavals & wars Later – a period of cultural growth Romanesque churches & monasteries Gothic cathedrals Crusades to recover the Holy City from the Muslims Class Distinctions Nobility sheltered in fortified castles knights in armor amused themselves with hunting, feasting & tournaments Peasants vast majority of population lived miserably subject to feudal overlords Clergy Roman Catholic church exerted power monks held a virtual monopoly on learningĬhurch was the center of musical life - Important musicians were priests - Women were not allowed to sing in church, but did make music in convents - Only sacred music was notated Music primarily vocal and sacred Instruments not used in church Few medieval instruments have survived Music manuscripts did not indicate tempo, dynamics or rhythmĥ Ch. Part II The Middle Ages 2011 © McGraw-Hill Higher EducationĢ Time Line Middle Ages (450-1450) Rome sacked by Vandals-455īeowulf-c. 1 Music: An Appreciation 10th Edition by Roger Kamien
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